FROM THE ABYSS
27 November 2015 - 30 January 2016
October Gallery presents From the Abyss, an exhibition of Gerald Wilde’s paintings, comprising early wartime works of the 1940’s through to pieces collected from his final years in the late ‘70s and early ‘80s.
In 1979, October Gallery first opened its doors with an exhibition of Wilde’s work, and has since remained dedicated to bringing this major British artist of the 20th Century to the attention of a wider audience, in the firm belief that he has yet to achieve the full recognition he deserves. Taught by painter, Graham Sutherland and sculptor, Henry Moore, Wilde’s work was widely admired and respected by fellow artists Lucian Freud and Frank Auerbach and praised by critics such as John Berger, David Sylvester and William Feaver.
From the intensity of his early work, through to the liberation found in his "Pompeii" series and the more colourful paintings of his later years - his non-figurative enquiries into the workings of the mind - Wilde confronts us on both the abstract level and the level of symbols and dreams. If the tempestuous use of impasto in his early work draws us into the conflict-ridden spaces of his chaotic inner world, then he later balances us on the edge of that abyss, arm-in-arm with clowns, tightrope dancers and spacemen, teetering in eccentric orbits of their own creation. Following Wilde’s startling trajectory, we witness his journey from a place of nervous unease and angst to a calmer place of reconciliation and rest. Wilde’s ‘clowns’ cast no shadows – illuminated, as they are, by an infinity of brilliant stars, as delicately they tumble, head over heels, through the inky distances of outer space.
Most Recent Exhibitions
REALM OF THE SUN
8 October – 21 November 2015
October Gallery, London, will present an exhibition by Aubrey Williams, introducing works previously unseen.
Aubrey Williams' distinctive contribution to 20th century British art as a master of painterly abstraction is increasingly recognized; a contemporary of Alan Davie and Peter Lanyon, Williams’ work invites productive comparison but has yet to receive comparable attention.
Born in Georgetown, Guyana, in 1926, Williams’ early training as an agronomist took him to the north-west rainforest where he lived for two years among the indigenous Warrau people. This proved to be a formative period of his life in which he, as he later said, 'started to understand what art really is.'
2 July – 1August 2015
8th September – 3rd October 2015
October Gallery, London is pleased to present Unseen Collaborator, a solo exhibition of works by Brion Gysin. The exhibition will feature previously unseen drawings, paintings, photography and a film about the complex artist. Neo-calligrapher, master of line, multimedia revolutionary and cultural historian, Gysin’s experiences in New York, Tangier, Paris and London influenced his seminal artistic productions. William Burroughs called Gysin, ‘the only man I truly respect’.
14 May – Now extended to 27 June
October Gallery will present the first solo show in London of Wang Huangsheng (b.1956, China), whose work is held in many international collections such as the V & A, London, Uffizi Gallery, Florence and the National Art Museum of China, Beijing. Wang Huangsheng, in addition to being a prominent artist, is also one of the most influential figures in the art world of China and the most important supporter of Chinese avant-garde art. He is currently the Director of the CAFA Museum in Beijing, a highly significant art space and former Director of the Guangdong Museum of Art.
As ink painting gains recognition in the west- with the recent exhibition at the Metropolitan Museum of Art, Ink Art: Past as Present in Contemporary China and by the recognition of its influence on western artists from Robert Motherwell to Brice Marden - October Gallery will present the ink paintings of an artist whose works are alert to tradition yet at the same time resolutely contemporary. The exhibition will focus on Wang Huangsheng’s most recent works.
2 April - 9 May 2015
October Gallery will present an exhibition of works by the late Kenji Yoshida (1924 - 2009).
12 February - 28 March 2015
El Anatsui’s sculptural experiments with media and form have challenged the definition of sculpture itself. In particular, his metal wall-hangings have received international acclaim. Throughout a distinguished forty-year career as both an artist and teacher, El Anatsui has addressed a wide range of social, political and historical concerns and embraced an equally diverse range of media and processes. In 2013, one of his largest metal wall-hangings to utilize his bottle-top technique, TSIATSIA – searching for connection, adorned the façade of Burlington House. Created to coincide with the Royal Academy of Arts Summer Exhibition 2013, this remarkable work won the prestigious Charles Wollaston Award.The exhibition will focus on a range of intricate metal sculptures.
6 February 2014 – 5 April 2014
October Gallery is proud to present an exhibition of new works by the Chinese artist, Tian Wei. This will be his premiere solo exhibition in the United Kingdom.
Both theoretically and formally, Tian Wei’s work constructs a bridge between things that appear as dyadic opposites, binary poles or complementary pairs. This perspective of Yin and Yang is deeply embedded in Chinese thinking, and the artist’s frequent reference to Classic texts such as the I Ching (The Book of Changes) and Tao Te Ching appear as quotations in minute script patterning the background upon which larger semi-abstract cursive shapes are drawn. On trying to read these lines as Chinese characters, however, anyone familiar with Chinese poetry, painting or philosophy is bound to be frustrated, since the conundrum of interpreting the meaning of the flowing shapes can only be resolved in English. The lines, in fact, spell out simple English nouns, adjectives and phrases such as ‘Myth’,‘Red’ and ‘Money Makes the World Go Round.’ These carefully chosen words give the viewer access to the artist’s lived experience of both Eastern and Western spheres. In one of these large-scale works, the word ‘Sex’ stands out as bright red gestural daubs, on a canvas of the same colour, its thick impasto brush strokes layering the surface with tiny shadows. Drawn with great freedom, the brush strokes are sharp yet sinuous and though enigmatic, the lettering is ultimately comprehensible to any viewer who reads English.