ARTISTS
|
Brion Gysin
Brion Gysin was born in England in 1916. He studied at the Sorbonne and his first exhibition in 1935, was with Picasso, Arp, Bellmer, Brauner, de Chirico, Dali, Duchamp, Max Ernst, Magritte, Miro, Man Ray, Tanguy at Galerie Quatre Chemins, Paris. Later, his drawings were taken down and expelled from the Surrealist Group by Paul Eluard at the orders of André Breton. His journey to the Algerian Sahara in 1938 influenced his work greatly. He was a multifaceted artist whose fertile mind and wide range of original ideas were a source of inspiration for artists of the Beat Generation in Paris, as well as to innovative artists and performers such as David Bowie, Mick Jagger, Keith Haring, and Laurie Anderson in the next generation.
Painter, writer, sound poet, tape composer, lyricist, and performance artist, Gysin is remembered particularly for his evocative paintings of the North African desert in the 1950s and his original calligraphic abstractions based on Japanese and Arabic scripts.
The chance discovery by Gysin of the cut-up technique (later developed and refined by William S. Burroughs) and the concept of permutated poems gave rise to new and original forms of sound art wordplay, striking not only in print but also in recordings or live performance. Gysin's inventive ideas also extended to the Dreamachine and to collages of text and photographs.
Brion Gysin’s first US retrospective exhibition was held at the New Museum of Contemporary Art, New York in June 2010.
Exhibitions
Calligraffiti of Fire
Brion Gysin Biography
| Solo Exhibitions |
| 1939 | | Galerie Aux Quatre Chemins, Paris |
| 1953 | | Rembrandt Hotel, Tangiers |
| 1957 | | Sagittarius Gallery, New York |
| | | Dunbar gallery, Chicago |
| | | Sagittarius Gallery, Rome |
| 1958 | | Arthur Jeffries Gallery, London |
| 1959 | | Library of the Kokutoubia, Marradech |
| 1961 | | Galleryia Trastevere, Rome |
| 1963 | | Helena Rubinstein Salon, ParisTangier Gallery, Tangiers, |
| 1970 | | Tangier Galery, Tangiers |
| 1973 | | Galerie Weiller, Paris |
| 1975 | | Galerie Germain, Paris |
| | | Galerie Galerie Yvy, Geneva |
| 1976 | | Galerie Mollet-Villeville, Paris |
| 1977 | | Galerie Raph, Paris, |
| 1979 | | Galerie Von Bartha, Basle |
| 1981 | | The October Gallery, London |
| 1982 | | Meda Mothi Gallery, Montpellier |
| 1985 | | Tower Lajeski Gallery, New York |
| 1986 | | Galerie SamyKinge, Paris |
| 1991 | | Caen, Lyon, Grenoble |
| 1993 | | Espace electra, Paris |
| 1994 | | Guillaume Galloxzzi Gallery, New York |
| 1998 | | Edmonton Art Gallery, Edmonton |
| 2009 |
|
Calligraffiti of Fire, October Gallery, London |
| 2010 |
|
Calligraffiti of Fire, New Museum, New York |
| Group Exhibitions |
| 1935 | | Galerie Aux Quatre Chemins, Paris |
| 1979 | | Canon Photo Gallery, Geneva |
| 1980 | | Centre Georges Pompidou, Paris |
| 1981 | | The October Gallery, London |
| 1983 | | B-2 Gallery, London |
| 1984 | | Villa Arson, Nice |
| 1985 | | Museum of Modern Art, New York |
| 1986 | | Galerie Lara Vincy, Paris |
| 1987 | | Documenta 8, Kassel, |
| 1988 | | Jack Tilton Gallery, New York |
| 1989 | | Institut Du Monde Arabe, Paris |
| 1990 | | Galeriea Sphira, Madrid |
| 1991 | | Centre Georges Pompidou, Paris |
| 1993 | | Lyon Biennale, France |
| 1995 | | Ports of Entry: William S. Burroughs the Artist, Los Angeles LACMA |
| 1999 | | The Liverpool Biennale for Contemporary Art, Liverpool, |
| Collections |
| Museum of Modern Art. New York; |
| Boston Fine Arts Gallery, Boston, Mass. |
| Centre George Pompidou, |
| Fond National, Modern Art Paris |
| Musée d'Art Moderne de la Ville de Paris |
| and numerous private collections. |
| Major Publication on Brion Gysin |
| Brion Gysin - Turning in to the Multimedia Age, edited by Jose Ferez Kuri, Published by Thames and Hudson 2003 |
| | | |
|